Is this is what remains of Al Jolson’s legacy? The man who was once known as the world’s greatest entertainer is remembered in this mediocre musical that doesn’t do any justice to the star of the first ‘talking picture’.
Al Jolson & Co chronicles the life of the first openly Jewish man to win acclaim as a singer, actor and comedian. Al Jolson has inspired such revered figures as Frank Sinatra and Bing Crosby; yet in this new portrayal it’s hard to find him inspiring at all.
Considering the glittering careers behind writers Stephen Mo Hanan and Jay Berkow and director Ed Curtis, it’s surprising how unaccomplished this production is. Yes, it’s somewhat entertaining and probably great to sing along to if you know the songs; but it’s mostly just one man singing and dancing about in the middle of the stage.
Allan Stewart’s portrayal leaves you feeling like the real Al Jolson would have made more effort to set you swinging. Jolson is portrayed the year before his death, and though we are taken back to witness his incredible life story, it’s hard to be convinced. It’s as though Stewart is somehow disconnected, and recounts a story that we find hard to care about.
The various scenes from Jolson’s life are often over-acted and full of cheap one liners; some of which are amusing but there aren’t really any laugh-out-loud moments. The production has sparked controversy due to the fact that it refuses to portray Jolson’s trademark ‘blacking up’ scene. The producer stated that they wanted to avoid causing offence, but perhaps they just weren’t daring enough; perhaps they resigned themselves to a safe production that’s more of a user-friendly sing-a-long rather than an outgoing, dazzling portrayal of Al Jolson’s life.
Jolson & Co is not un-enjoyable, but it’s certainly nothing spectacular. As far as musicals go it’s mediocre – at best. If you’re a fan of Al Jolson you may be disappointed by the lack of enthusiasm, but you might enjoy the music.