The Last Man

Described as an 'off-site project' of Embassy Gallery, The Last Man experience is as enigmatic as it sounds. Standing proudly in the Outhouse at Broughton Street Lane is an intriguing and unidentifiable heap of what looks like very textured tarmac varnished with a concoction of iridescent, silver toned coating stands. Another similarly futuristic styled work is nicely positioned on a brick wall in the beer garden. The venue's quirky and lounge-like atmosphere perfectly complements Michael White's unique and, pardon the pun, 'off the wall' works.

The intense amount of texture in both pieces creates a strong sense of character and life surrounding them. Depending on how long and hard you stare, thick and twisting grooves appear to create shapes and images in each work that you could spend hours squinting your eyes at. White's use of texture is undoubtedly exquisite and has clearly been well honed over the years.

Although the venue is idyllic and White's project has potential, it leaves a lot to be desired. The lack of accompanying information may inspire those who choose to take their time over deciphering his creations. However, it may also lead some to write it off as archetypal, self-indulgent contemporary art. Whilst part of The Last Man's charm is its undefined nature and the accessible context that it is placed within, for the more traditional art lover, White may fail to excite.