Laura Marling

It was with considerable envy that I heard about Laura Marling’s Cathedral Tour, which began in October. She was set to play in some of Great Britain’s most magnificent cathedrals, and I was quite indignant that she had left Edinburgh, and its host of admirable cathedrals, off the list. However, my faith was restored when news arrived that she had announced an Edinburgh date to close the tour - in St. Giles Cathedral, no less.

It’s a blustery evening at the close of November and an eager audience awaits Marling’s performance in the heart of St. Giles. A few candles flicker and there’s a hush and sense of anticipation in the crowd that you just don’t find at your average gig. Marling is far from being a preacher, yet somehow it feels as if we’re waiting for her to emerge and tell us some great truth that will enlighten our lives to the righteous and good.

That’s what’s key with Marling - she possesses wisdom far beyond that of her 21 years, and we find in her music a quiet strength that belies her fragile appearance. The lofty vaults of the Cathedral dwarf her petite frame, and to some she is even eclipsed by the broad columns that support the building. But as soon as the notes come flooding from her mouth none of that matters.

Marling’s enchanting vocals fill the space with ease, and this master of disguise somehow manages to transform into a new character with each song. From a timid young girl in 'Alas I Cannot Swim', to a disillusioned woman on a wild search, "looking for answers in unsavoury places" in 'Don’t Ask Me Why'. A humble and captivating performance that was matched by the breathtaking venue, Marling is perhaps best suited to giving lessons in life.