Rhubaba are an emerging force within all that's legitimate and significant in the emigrating margins of art in Edinburgh; the outsiders becoming the insiders. As a collective of recently-graduated Edinburgh College of Art disciples, their religious dev...
Wed 03 Feb 2010 by Hannah Knights | Read more »
In the tradition of the longstanding love affair between art and music, Art School Dance was produced in celebration of the infamous Wee Red Bar and the local musicians who have graced its stage. Fluctuating just below the swell of the mainstream but r...
Wed 03 Feb 2010 by Hannah Knights | Read more »
Beijing-based emerging artist Cao Fei started the ongoing Internet project RMB City in 2009; an online artwork public community existing through the 3D world Second Life. Users participate by adopting an online personality, exploring and interacting in...
Wed 03 Feb 2010 by Ben Hoare | Read more »
"Had we lived I should have had a tale to tell of the hardihood, endurance and courage of my companions which would have stirred the heart of every Englishman. These rough notes and our dead bodies must tell the tale" wrote Robert Falcon Scott shortly ...
Wed 03 Feb 2010 by Matthew Macaulay | Read more »
Although the Institute of Contemporary Art in Boston claims to present the most significant national and international contemporary art to its audiences, a recent offering left this reviewer rather underwhelmed. …OUT OF HERE: The Veterans Proje...
Wed 03 Feb 2010 by Rachel King | Read more »
Wed 03 Feb 2010 by Helen Broadfoot | Read more »
Wed 03 Feb 2010 by Jane Maddison | Read more »
Wed 03 Feb 2010 by Ben Kendall | Read more »
Fence Records, like all venerable Scottish institutions, inspires a fair degree of pontificating on its behalf. Widely perceived as the standard-bearers for hyphenated, revivalist folk (see: nu-folk, alt-folk, faux-folk, electro-folk), the predominant ...
Wed 03 Feb 2010 by Ray Philp | Read more »
Live ‘duels’ have been a staple of the hip-hop scene for decades, yet rarely has the format transcended the boundaries of electronic, turntable-based genres. This is perhaps for good reason: technical restrictions dictate that it's far easi...
Wed 03 Feb 2010 by R. J. Gallagher | Read more »
You can tell a great deal about a comedian from how they dispatch hecklers. Tonight’s host, the abrasive Bruce Devlin, favours the barrage-of-abuse technique for dealing with lairy audience members. Unfortunately, the Scottish comic’s entir...
Wed 03 Feb 2010 by Marcus Kernohan | Read more »
Last week saw the opening of Rita McAllister’s revision of Prokofiev’s War and Peace into its original, intended format. The story goes that Soviet meddling left the opera bastardised and less human: tonight, we are told, the integrity of t...
Wed 03 Feb 2010 by Jonathan Goat | Read more »
Following the Lyceum’s journey into the world of eternal youth in Peter Pan, the theatre starts its Spring/Summer season with Arthur Miller’s The Price, a tale of two brothers and the dire financial circumstances that led to the choice betw...
Wed 03 Feb 2010 by Amy Taylor | Read more »
My Tiny Robots, tonight's nominated preamble, are an appropriate act to kick things off, if only in name. The Leith ensemble give a rather awkward and self-conscious account of themselves, switching between instruments—guitars, bass, synth, drum...
Wed 03 Feb 2010 by Myke Hall | Read more »
Wed 03 Feb 2010 by Rebecca Gordon | Read more »
Wed 03 Feb 2010 by Amy Taylor | Read more »
One suspects the decision to hold a Baselitz retrospective in Baden-Baden had a lot to do with architecture. The modernist Museum Frieder Burda and its neo-classical partner, the Staatliche Kunsthalle, lie adjacent with one suspended corridor half-hear...
Wed 03 Feb 2010 by Jennifer Owen | Read more »
Wed 20 Jan 2010 by Roisin Watson, Helen Broadfoot | Read more »
Wed 20 Jan 2010 by Helen Broadfoot, Roisin Watson | Read more »
For an exhibit that for several months was writ large in lights, posters and projections around Chambers Street, Salt of the Earth takes up a surprisingly modest space within the Museum of Scotland. The room is small, dark and imbued with a heathery pu...
Wed 20 Jan 2010 by Paris Gourtsoyannis | Read more »