The SCO in the performance of a lifetime

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Review

Scottish Chamber Orchestra at the Queen's Hall

An unforgettable performance? I think so. To seasoned concert goers, there is an unavoidable danger that a number of recitals become blurred in one’s mind. I can safely say that there is no danger of such an occurrence happening tonight, which will surely be remembered for a number of reasons. Partly because of the audience’s premature applause halfway through Dvorák’s Serenade for Strings, partly because of the two stunning encores, but mainly because of an all round outstanding performance.

I wont lie. It was the lure of Brahms which drew me to this concert. Once again however, the SCO’s cleverly selected programming has resulted in two new additions to my list of favourites, namely Dvorák’s Serenade for Strings and Serenade for Winds. Conductor Joseph Swensen revels in a mixture of radiant music and passionate performers in both works, in which subtle contrasts are intricately accented in the two animated performances. As always, the strings present a united front and bring out flowing counter-melodies as well as the rich main themes. The Wind Serenade is a contrast in itself, opening at times with an almost funeral march impersonation, before branching seamlessly into a more pastoral idea. Once again, players breathe ample life into the music, with opposing pairs of instruments trading themes smoothly and effortlessly. Special mention should go to the horns in this case, who play through Dvorák’s less than simple writing endlessly, and at times bring an almost jazzy feel to the work, though maybe that’s selective hearing on my part.

As far as the genius of Brahms goes, this performance may never be topped. From the minute soloist Henning Kraggerud took the stage, his presence and obvious connection with the music stole the show. His remarkable tone fitted the music perfectly, particularly in the intensity which he brought to the opening, and it’s contrast in the second movement’s singing melodic lines. The dance-like third movement brought the work to a soaring end, with amazing treatment of the contrasting rhythms with which the dance motif is presented. Indeed, a memorable experience.

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